Robin Hood 2010 Hindi Dubbed Dual Audio BluRay 720p Download Free

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Robin Hood 2010 Hindi Dubbed Dual Audio BluRay 720p Download Free

Robin Hood 2010 Dual Audio
IMBD Score: 6.7/10 | Language: Hindi
Robin Hood (2010)
PG-13 | 2h 20min | Action, Adventure, Drama | 14 May 2010 (USA)
Director: Ridley Scott
Writers: Brian Helgeland (screenplay), Brian Helgeland (story)
Stars: Russell Crowe, Cate Blanchett, Matthew Macfadyen

Story:
Birth of a legend. Following King Richard’s death in France, archer Robin Longstride, along with Will Scarlett, Alan-a-Dale and Little John, returns to England. They encounter the dying Robert of Locksley, whose party was ambushed by treacherous Godfrey, who hopes to facilitate a French invasion of England. Robin promises the dying knight he will return his sword to his father Walter in Nottingham. Here Walter encourages him to impersonate the dead man to prevent his land being confiscated by the crown, and he finds himself with Marian, a ready-made wife. Hoping to stir baronial opposition to weak King John and allow an easy French take-over, Godfrey worms his way into the king’s service as Earl Marshal of England and brutally invades towns under the pretext of collecting Royal taxes. Can Robin navigate the politics of barons, royals, traitors, and the French?

Robin Hood 2010 Trailer


Robin Hood 2010 Hindi Dubbed Dual Audio BluRay 720p Download Google Drive


Download Links Below:-

 Substitle: English Included | Audio : Orginal Hindi | Quality : BluRay | Year: 2010

Download Links (Dual Audio Hindi) 720p – 1.2GB

Download Links (Dual Audio Hindi ) 480p – 400MB

SCREEN SHOTS



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Review

That Robin Hood is nowhere to be found in Ridley Scott's “Robin Hood,” starring Russell Crowe as a warrior just back from fighting in the Third Crusade. Now Richard is dead, and Robin is essentially an unemployed mercenary. This story is a prequel. It takes place entirely before Robin got to be a folk hero. The idea of taking from the rich and giving to the poor was still in storyboard form. Grieving Richard the Lionhearted and now facing the tyrant King John, Robin leads an uprising.

This war broadens until, in the words of the movie's synopsis, “it will forever alter the balance of world power.” That's not all; “Robin will become an eternal symbol of freedom for his people.” Not bad for a man who, by general agreement, did not exist. Although various obscure bandits and ne'er-do-wells inspired ancient ballads about such a figure, our image of him is largely a fiction from the 19th century.

But so what? In for a penny, in for a pound. After the death of Richard, Robin Hood raises, arms and fields an army to repel a French army as it lands on an English beach in wooden craft that look uncannily like World War II troop carriers at Normandy. His men, wielding broadswords, backed by archers, protected from enemy arrows by their shields, engage the enemy in a last act devoted almost entirely to nonstop CGI and stunt carnage in which warriors clash in confused alarms and excursions, and Russell Crowe frequently appears in the foreground to whack somebody.

Subsequently, apparently, Robin pensioned his militia and retired to Sherwood Forest to play tag with Friar Tuck. That's my best guess; at the end the film informs us, “and so the legend begins,” leaving us with the impression we walked in early.

Ah, you say, but what of Maid Marion? In this telling, Marion (Cate Blanchett) is not a maid but a widow, and not a merry one. At one point she threatens to unman Robin with her dagger, which is unlike the Maid Marions I've known and loved. Blanchett plays the role with great class and breeding, which is all wrong, I think. She's the kind of woman who would always be asking Robin, “Why do you let that smelly so-called friar hang around you like a fanboy?”

If you listen closely to the movie's commercials, you may hear of a royal edict being issue against “Robin of the Hood.” A hood, in medieval English, was of course a wood or forest — a point that may be lost on many of the commercial's viewers.

“Robin Hood” is a high-tech and well made violent action picture using the name of Robin Hood for no better reason than that it's an established brand not protected by copyright. I cannot discover any sincere interest on the part of Scott, Crowe or the writer Brian Helgeland in any previous version of Robin Hood. Their Robin is another weary retread of the muscular macho slaughterers who with interchangeable names stand at the center of one overwrought bloodbath after another.

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